Thoreau’s Visit from a Canadian Woodcutter — Description (pt. 1)

Rather than trying to spark a debate over postmortem diagnoses, the primary intent here is to showcase and encourage an appreciation for Thoreau’s fascination with and delight in his neighbor who was in any case a striking character. Thoreau is modeling a sense of wonder that’s all too lacking in this age of diagnosis and treatment.

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… Beside, there were wafted to me evidences of unexplored and uncultivated continents on the other side.

Who should come to my lodge this morning but a true Homeric or Paphlagonian man — he had so suitable and poetic a name that I am sorry I cannot print it here — a Canadian, a woodchopper and post-maker, who can hole fifty posts in a day, who made his last supper on a woodchuck which his dog caught. He, too, has heard of Homer, and, “if it were not for books,” would “not know what to do rainy days,” though perhaps he has not read one wholly through for many rainy seasons. Some priest who could pronounce the Greek itself taught him to read his verse in the Testament in his native parish far away; and now I must translate to him, while he holds the book, Achilles’ reproof to Patroclus for his sad countenance. — “Why are you in tears, Patroclus, like a young girl?”

“Or have you alone heard some news from Phthia?
They say that Menoetius lives yet, son of Actor,
And Peleus lives, son of Æacus, among the Myrmidons,
Either of whom having died, we should greatly grieve.”

He says, “That’s good.” He has a great bundle of white oak bark under his arm for a sick man, gathered this Sunday morning. “I suppose there’s no harm in going after such a thing to-day,” says he. To him Homer was a great writer, though what his writing was about he did not know. A more simple and natural man it would be hard to find. Vice and disease, which cast such a sombre moral hue over the world, seemed to have hardly any existance for him. He was about twenty-eight years old, and had left Canada and his father’s house a dozen years before to work in the States, and earn money to buy a farm with at last, perhaps in his native country. He was cast in the coarsest mould; a stout but sluggish body, yet gracefully carried, with a thick sunburnt neck, dark bushy hair, and dull sleepy blue eyes, which were occasionally lit up with expression. He wore a flat gray cloth cap, a dingy wool-colored greatcoat, and cowhide boots. He was a great consumer of meat, usually carrying his dinner to his work a couple of miles past my house — for he chopped all summer — in a tin pail; cold meats, often cold woodchucks, and coffee in a stone bottle which dangled by a string from his belt; and sometimes he offered me a drink. He came along early, crossing my bean-field, though without anxiety or haste to get to his work, such as Yankees exhibit. He wasn’t a-going to hurt himself. He didn’t care if he only earned his board. Frequently he would leave his dinner in the bushes, when his dog had caught a woodchuck by the way, and go back a mile and a half to dress it and leave it in the cellar of the house where he boarded, after deliberating first for half an hour whether he could not sink it in the pond safely till nightfall — loving to dwell long upon these themes. He would say, as he went by in the morning, “How thick the pigeons are! If working every day were not my trade, I could get all the meat I should want by hunting-pigeons, woodchucks, rabbits, partridges — by gosh! I could get all I should want for a week in one day.”

He was a skilful chopper, and indulged in some flourishes and ornaments in his art. He cut his trees level and close to the ground, that the sprouts which came up afterward might be more vigorous and a sled might slide over the stumps; and instead of leaving a whole tree to support his corded wood, he would pare it away to a slender stake or splinter which you could break off with your hand at last.

He interested me because he was so quiet and solitary and so happy withal; a well of good humor and contentment which overflowed at his eyes. His mirth was without alloy. Sometimes I saw him at his work in the woods, felling trees, and he would greet me with a laugh of inexpressible satisfaction, and a salutation in Canadian French, though he spoke English as well. When I approached him he would suspend his work, and with half-suppressed mirth lie along the trunk of a pine which he had felled, and, peeling off the inner bark, roll it up into a ball and chew it while he laughed and talked. Such an exuberance of animal spirits had he that he sometimes tumbled down and rolled on the ground with laughter at anything which made him think and tickled him. Looking round upon the trees he would exclaim — “By George! I can enjoy myself well enough here chopping; I want no better sport.” Sometimes, when at leisure, he amused himself all day in the woods with a pocket pistol, firing salutes to himself at regular intervals as he walked. In the winter he had a fire by which at noon he warmed his coffee in a kettle; and as he sat on a log to eat his dinner the chickadees would sometimes come round and alight on his arm and peck at the potato in his fingers; and he said that he “liked to have the little fellers about him.”

In him the animal man chiefly was developed. In physical endurance and contentment he was cousin to the pine and the rock. I asked him once if he was not sometimes tired at night, after working all day; and he answered, with a sincere and serious look, “Gorrappit, I never was tired in my life.” But the intellectual and what is called spiritual man in him were slumbering as in an infant. He had been instructed only in that innocent and ineffectual way in which the Catholic priests teach the aborigines, by which the pupil is never educated to the degree of consciousness, but only to the degree of trust and reverence, and a child is not made a man, but kept a child. When Nature made him, she gave him a strong body and contentment for his portion, and propped him on every side with reverence and reliance, that he might live out his threescore years and ten a child …

Part 2 …

Source: Henry David Thoreau, Walden

[image via Flickr/Creative Commons]


on 10/6/11 in Art/Play/Myth, featured | No Comments | Read More



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